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Off-Leash Blog: Roaming the Heart's Terrain

The Me Who Stayed

When I was younger, I was judgmental about the use of anti-depressants. I thought that unless you were so depressed that you couldn’t get out of bed, taking anti-depressants was a cop-out, a refusal to engage with your own darkness. When a college friend started taking them, I was disappointed. I thought she was depriving herself of an essential part of the human journey, that facing whatever arose unadulterated was part of what was required to season the soul.

 

I was judgmental about meditation too: I thought it was a waste of precious time that was better spent taking practical, concrete action to make the world a better place.

 

It seems I am doomed to do everything I judge.

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Tell Me A Story

In December of 2016, less than a month after the elections (yes, those elections), I traveled to Taiwan for a production of The Fourth Messenger, the musical I co-wrote with the incandescent singer-songwriter Vienna Teng. It was as bleak a historical moment as I could remember, and I was in deep need of inspiration. Fortunately, I found it.

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Landscape of the Heart

I was born and raised in Kansas, and though I haven’t lived there in more than thirty years, its stretches of wheat and corn are within me still. That’s the thing about where you’re from. Even if, like me, you’re born to Jews and immigrants, who are no more of that place than an olive tree or an arctic fox, you are of that place simply by growing up there. Somehow the soil of the place, the shape of it, takes root inside you and never lets go. 

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